RAPP | Muse by Clios https://musebyclios.com Discover the latest creative marketing and advertising news. Muse by Clio is the premier news site covering creativity in advertising and beyond. Wed, 28 Aug 2024 08:25:36 +0000 en-US hourly 1 https://wordpress.org/?v=6.5.5 https://clio-muse-prod-media.s3.amazonaws.com/wp-content/uploads/2024/07/12035206/cropped-muse_favicon-32x32.png RAPP | Muse by Clios https://musebyclios.com 32 32 Nicole Simpson on the Big Picture of DE&I https://musebyclios.com/black-tea/nicole-simpson-on-the-big-picture-of-dei/?utm_source=rss&utm_medium=rss&utm_campaign=nicole-simpson-on-the-big-picture-of-dei https://musebyclios.com/black-tea/nicole-simpson-on-the-big-picture-of-dei/#respond Wed, 28 Aug 2024 04:00:00 +0000 https://musebyclios.com/?p=62919 Pro-tip: Don’t let a few loud internet people’s definition of Diversity, Equity & Inclusion get you twisted. Nicole Simpson, Director of DE&I at RAPP, has got you covered—legally—on this week’s episode of #BlackTea. Hear how her legal background uniquely equips her to be amazing at her job. She breaks down the term beyond the abbreviation […]

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Pro-tip: Don’t let a few loud internet people’s definition of Diversity, Equity & Inclusion get you twisted.

Nicole Simpson, Director of DE&I at RAPP, has got you covered—legally—on this week’s episode of #BlackTea. Hear how her legal background uniquely equips her to be amazing at her job. She breaks down the term beyond the abbreviation and why companies can’t legally or financially afford to ignore it.

Plus, she unpacks how inclusivity really starts with a profound sense of self. And then, we had to have some fun, so we spill about the best of the Olympic ads, the ultimate Black women brunch table, and must-try Black-owned beauty brands. Check it out.

Click here for more Black Tea.

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#WFH Diaries: Al Mackie of RAPP U.K. https://musebyclios.com/worklife/wfh-diaries-al-mackie-rapp-uk/?utm_source=rss&utm_medium=rss&utm_campaign=wfh-diaries-al-mackie-of-rapp-u-k https://musebyclios.com/worklife/wfh-diaries-al-mackie-rapp-uk/#respond Wed, 29 Apr 2020 22:49:34 +0000 https://musebyclios.com/uncategorized/wfh-diaries-al-mackie-of-rapp-u-k/ As confinement continues in most parts of the world, we’re checking in with creative people to see how they’re faring. Here’s an update from Al Mackie, chief creative officer of RAPP U.K. Al Mackie and his daughter Give us a one-line bio of yourself. Stay at home chief creative officer of RAPP U.K. Where are […]

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As confinement continues in most parts of the world, we’re checking in with creative people to see how they’re faring. Here’s an update from Al Mackie, chief creative officer of RAPP U.K.

Give us a one-line bio of yourself.

Stay at home chief creative officer of RAPP U.K.

Where are you living right now, and who’s with you?

In Woking, England. With my partner, two daughters, teenage son and a friend who broke her ankle halfway through a flat renovation.

What’s your work situation like at the moment?

Morning Zoom calls in the kitchen. Quiet work in my son’s bedroom. And phone calls pacing the garden to get a better signal.

Describe your socializing strategy.

We video call friends and family while we cook during the week. Saturday mornings are now the highlight of my Mum’s week—a family Webex with nine grandchildren (ages 1-14) shouting over each other. It’s utter chaos and not too dissimilar to our Saturday night catchup with friends. I try to call a different friend every few days as part of a walk or at the end of the day, but I’m definitely missing the serendipitous chats that used to be part of my day.

How are you dealing with childcare?

Just as we went into self-isolation, my partner finished maternity leave so we decided to divide our days into two-hour blocks between 8 a.m. and 8 p.m. Our youngest usually has a couple of naps, which means we can both squeeze in an extra hour here and there. Six weeks in, I can confidently say that this plan lasts until at least 8:30 a.m. every day.

What are you reading?

Not a lot but I have two books on my desk. Liferider, the autobiography on Laird Hamilton, which was written by a very talented friend. And Widow Basquiat, which was given to me by a very talented friend.

What are you watching?

Looking forward to the next Killing Eve. But this week we’ve watched Thomas the Tank Engine in the mornings and The Nest in the evenings.

What are you listening to?

BBC Radio 6 music and a little bit of Headspace.

How are you staying fit?

HIIT sessions in the morning with my partner. A run every few days. And at the weekend we’ve been training with a PT friend on Zoom.

Have you taken up a hobby?

Not really had the time or energy to consider one.

Any tips for getting necessities?

Be patient.

An awkward moment since all this started.

The first time we spoke about a team member losing a neighbor to the virus.

Best work email you got since all this started.

We’ve moved to Slack so I don’t really get emails.

An aha! moment since all this started.

The days feel long when I think about work, but then I remember that I get to spend a chunk of time throughout the day with my kids.

What’s your theory on how this is going to play out?

There will be a new normal. I hope it’s one where people value and appreciate kindness more.

See the full #WFH Diaries series here.

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We Might Not Want Creativity, but We Need It. Just Ask Nike https://musebyclios.com/musings/we-might-not-want-creativity-we-need-it-just-ask-nike/?utm_source=rss&utm_medium=rss&utm_campaign=we-might-not-want-creativity-but-we-need-it-just-ask-nike https://musebyclios.com/musings/we-might-not-want-creativity-we-need-it-just-ask-nike/#respond Mon, 24 Jun 2019 14:40:13 +0000 https://musebyclios.com/uncategorized/we-might-not-want-creativity-but-we-need-it-just-ask-nike/ Let’s start at the beginning, with an inconvenient truth.  People often reject creative ideas, even while expressing that creativity is their desired goal. Why? Put simply, anything that’s out of the norm—or creative, so to speak—makes us a bit uncomfortable. In fact, a study conducted by Cornell University showed there is actually a negative bias […]

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Let’s start at the beginning, with an inconvenient truth. 

People often reject creative ideas, even while expressing that creativity is their desired goal. Why? Put simply, anything that’s out of the norm—or creative, so to speak—makes us a bit uncomfortable. In fact, a study conducted by Cornell University showed there is actually a negative bias toward creativity. They monitored people’s brains when exposed to creative thinking and found that the creative ideas that were shared provoked similar reactions to hearing the words “poison,” “agony” and “vomit.” 

So that now makes me a chief vomit officer. Brilliant. 

One might ask: If there is a natural barrier to creativity, why do we still need it? As a creative, I could plainly tell you it’s because creativity just makes things more interesting. But the real reason is that, when it comes to advertising, creativity makes things more effective. Creative ideas are 12 times more effective than non-creative ideas. That means, to achieve the same results, you would have to spend 12 times more money to promote a non-creative message. I bet I’ve got your attention now. 

Another reason we need creativity is because, as we all know, consumers are behaving differently—and expecting brands to connect with them in more relevant and unique ways. The decline of interruption marketing, as a result of ad-free platforms (adblock, Netflix, etc.), is forcing brands to find new ways to engage with consumers. The ones who embrace that first, and are open to failing and learning, will be the ones to succeed.

As marketers, both on the client and agency side, we know it’s hard to intuitively bet on original and never-before-tried approaches. Original thinking does spark fear. But the secret to success is not attempting to eliminate fear at all—but instead trying to recognize it, then move around it. 

I recently watched the Oscar-winning documentary Free Solo about Alex Honnold, a man who climbs the riskiest mountains in the world with no protection. His approach to fear really stuck with me. 

”I’ve done a lot of thinking about fear,” he said. “For me the crucial question is not how to climb without fear—that’s impossible—but how to deal with it when it creeps into your nerve endings. You’re not stopping your fear. You move outside of it.” 

There is evidence that those brands which structure themselves to embrace fear, then move forward with brave ideas, are becoming increasingly more successful than their competitors. A perfect illustration of this is Nike. Three different campaigns from the brand have just won major advertising awards by taking the route of fearless creativity. 

Nike’s Kaepernick work “Dream Crazy,” which won a Grand Clio at Clio Sports as well as the Grand Prix for Outdoor at Cannes, provoked some angry reactions—like shoe burning, product banning from the mayor of Louisiana and even President Trump saying, “Nike is getting absolutely killed with anger and boycotts.” But sticking to their values and pushing forward regardless of the backlash—even knowing they were losing part of their fan-base—has definitely paid off for the brand. 

Online sales grew by 31 percent over the last year, compared to a 17 percent increase in 2017. The company compared 2017 and 2018 online sales and found an increase corresponding with the controversy and release of an associated video ad campaign. And Nike has experienced a $6 billion increase in overall value since that campaign. 

The brand also won a Grand Prix in the Industry Craft category at Cannes for the project “Just Do It HQ at the Church.” Based on the insight that Chicago kids weren’t playing basketball outdoors, due to the spike of gun violence in the city, Nike converted an old church into a culture and sports center for kids, providing a safe space for Chicago youth to play and train off the streets.

Remember the rule that says brands should stay out of politics and religion? Well, Nike just broke it with those two winning ideas. But they didn’t stop there.

Nike won another Grand Prix, in Media, for the campaign “Air Max Graffiti Stores.” To launch their exclusive Air Max Models, Nike transformed São Paulo’s streets into Nike stores. They illustrated sneakers on the feet of the city’s graffiti characters and allowed fans to purchase limited pre-sale only by visiting the decked-out walls and using geolocation to unlock real-life versions of the illustrated shoes on Nike.com. 

This campaign was fearless due to the sensitive cultural context. The city’s governor had previously banned new street art, erasing hundreds of pieces and forcing artists to simply update existing works. However, during Nike’s project, the governor was convicted for damaging cultural heritage, so the brand decided to resurrect six iconic characters that had previously been erased, now wearing six new Air Max models. 

The innovative campaign proved to be extremely successful, causing a 32 percent sales lift for Air Max. 

I asked Rosana Fortes, digital manager at Nike, about this campaign—and why Nike decided to move forward with its execution, despite all the risks.

“We used to say, internally, that if an idea doesn’t give us butterflies in our stomach, it’s not Nike. And that’s the mantra that drove the approval,” she said. “We knew about the risks around geolocation shopping, e-commerce integration and all the complex operations behind launching a very limited and desired shoe model in an unprecedented way. We also knew that graffiti was a very sensitive topic in São Paulo. But even knowing about all of those risks, we got around it, planned everything carefully and acted as the brand demands us to do so: We just did it. And it definitely paid off.”

With all this said, we know we naturally reject creativity, but we need it. So how can brands follow Nike’s successful approach, get around fear and make brave ideas happen? Here are three steps brand marketers can take to create a fearless marketing environment:

Make risk assessment and management part of your routine. 

Play with scenarios and plan ahead for what can happen. Run pilots, live test concepts, get reactions and adjust before going big.

Follow the 20-80 rule. 

Allocate part of your budget to try innovative approaches, isolated from short-term results pressure and with a clear agenda of stretching and learning.

Stretch your comfort zone. 

Encourage your agencies to think out of the box, and if the ideas don’t make you at least a bit uncomfortable, ask for more.

In a constantly changing world, doing the same old things definitely won’t work anymore. Consumers expect brands to adopt a new approach and to really stand for something fearlessly, even if that means losing some money. The pressure to justify marketing investments increases every day, and CMOs need to do way more with way less. 

The solution? Increase the impact of everything you do. In a world where 89 percent of all advertising is completely ignored by consumers, I encourage every marketing decision-maker to learn lessons from fearless brands like Nike, face fear head-on, and move forward with original, brave, impactful ideas. 

Ultimately, if being creative takes courage, being uncreative, nowadays, takes even more.

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Your Portfolio Is One Click Away From Disaster https://musebyclios.com/musings/your-portfolio-one-click-away-disaster/?utm_source=rss&utm_medium=rss&utm_campaign=your-portfolio-is-one-click-away-from-disaster https://musebyclios.com/musings/your-portfolio-one-click-away-disaster/#respond Mon, 03 Dec 2018 10:00:00 +0000 https://musebyclios.com/uncategorized/your-portfolio-is-one-click-away-from-disaster/ First impressions are everything. When I review a portfolio online, I close it if I can’t find what I am looking for in the first 10 seconds of arriving on-site. If you are going to have an online portfolio, you’d better make it easy to find, easy to use, and full of good content.  The […]

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First impressions are everything. When I review a portfolio online, I close it if I can’t find what I am looking for in the first 10 seconds of arriving on-site. If you are going to have an online portfolio, you’d better make it easy to find, easy to use, and full of good content. 

The chance to move to another agency that actually fits all your wants is rare. Not having a portfolio ready to go that is also continuously updated will limit your ability to apply. What’s more, the process for posting a new job in an agency is laborious, time-consuming, and in most instances, painful. The teams doing the hiring are in a rush, typically because of a new win or a critical position being open. So your book should be ready to go at a moment’s notice.

If your portfolio doesn’t reflect the breadth of all you can do, your future employer won’t give you the credit you deserve. You could lose out on negotiating power when it comes to salary, and organizations might not be interested if they can’t see potential awards in your future. Especially when you are going for a step up on the ladder, you need to show all you’ve got.

Let Your Portfolio Do the Talking

Your portfolio could be the difference between working for your dream company and being stuck in an unhappy situation. The industry isn’t overly interested in which school you went to or how high your GPA was; agencies want to see tangible evidence of the work you’ve done. But no one will even care if they can’t find it online. 

Here are six ways you can boost engagement and increase visibility of your work in a digital world: 

1. Use an online portfolio service

One of the most effective ways to get your work out there is using services like Behance. Sites like this allow for showcasing your work in snackable bites. They require no development skills, and you can get work up fast. 

Behance, for example, works with many design suites to allow for instant export right to it. Plus, you can add in your previous work experience, allowing employers to download your résumé immediately instead of tracking it down on another site or emailing you. 

Another perk of these services is the viewer’s ability to like or upvote your clips. When people appreciate your work, you move up in the rankings and could become a featured creative. 

2. Update your LinkedIn profile

Building a portfolio also includes creating an amazing, ever evolving, always updated LinkedIn profile that links to your work. And because it can easily display your work on your profile, recruiters can quickly find you and your portfolio in one spot. 

Post about work you love—that both you and others you respect did. Create connections and join groups within LinkedIn that help you network with other creatives and get more of your work out. 

3. Apply for awards

Another great way to get your name out is through award shows. Find local, regional and even international shows to get your name out there. The judges see your work, and if you win, the public will help you bask in the glory.

Winning awards provides proof that your work is worthy, and it shows that you’re not just saying your work is good—industry experts agree with you. 

4. Show, don’t tell

Your industry value comes down to the work you show in your book. But the work isn’t the entire story—you need to demonstrate how you went from concept to execution. 

Are you an illustrator? Consider displaying your initial sketches to demonstrate how it came to life in its final, fully vectorized format, as this person did. For website design, a simple description can go a long way. The setup in this example is a quick “Intro, Problem, Solution”—I can see all the development and thinking as the example builds. 

5. Keep ahead of trends

As technology continues to grow, you should also consider new trends that will impact how you should approach your work’s presentation. Design with mobile in mind. 

Executives will overlook your portfolio if they have to find a laptop to see your work. And considering that Google now takes mobile-first into consideration with SEO, ignoring this reality will only harm your ability to work at a new agency. 

6. Stay simple

Keep your portfolio easy to use. If your book is difficult to navigate, an executive will go to a new page and never look back. 

Everything should be simple, and users should be able to move from one showcase to the next without too many clicks. A clean design will be intuitive and will make your messages clear to potential agencies and clients, allowing them to quickly understand your work without the frustration of bad site navigation. 

Standing out against the crowd in the marketing and advertising world is a difficult job, especially when it moves quickly. Keeping a dynamic, updated portfolio is your best bet to get noticed. Just think: With the right first impression, an exciting new career could be just one click away. 

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