Simone Biles | Muse by Clios https://musebyclios.com Discover the latest creative marketing and advertising news. Muse by Clio is the premier news site covering creativity in advertising and beyond. Thu, 08 Aug 2024 15:20:51 +0000 en-US hourly 1 https://wordpress.org/?v=6.5.5 https://clio-muse-prod-media.s3.amazonaws.com/wp-content/uploads/2024/07/12035206/cropped-muse_favicon-32x32.png Simone Biles | Muse by Clios https://musebyclios.com 32 32 Simone Biles, Eminem and Sabrina Carpenter Inspire Rudy Willingham’s Latest Art Projects https://musebyclios.com/music/simone-biles-eminem-and-sabrina-carpenter-inspire-rudy-willinghams-latest-art-projects/?utm_source=rss&utm_medium=rss&utm_campaign=simone-biles-eminem-and-sabrina-carpenter-inspire-rudy-willinghams-latest-art-projects https://musebyclios.com/music/simone-biles-eminem-and-sabrina-carpenter-inspire-rudy-willinghams-latest-art-projects/#respond Wed, 07 Aug 2024 10:00:43 +0000 https://musebyclios.com/?p=60663 Using cutouts, M&Ms and lots of espressos, artist Rudy Willingham celebrates Simone Biles, Eminem and Sabrina Carpenter in fun and unexpected ways on his TikTok and Instagram accounts. These projects satisfy his own creative urges. But Willingham, repped by Giant Artists, also works for clients such as Aston Martin and HBO’s House of the Dragon, […]

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Using cutouts, M&Ms and lots of espressos, artist Rudy Willingham celebrates Simone Biles, Eminem and Sabrina Carpenter in fun and unexpected ways on his TikTok and Instagram accounts.

These projects satisfy his own creative urges. But Willingham, repped by Giant Artists, also works for clients such as Aston Martin and HBO’s House of the Dragon, which ranks as his favorite show. (Muse covered the whimsical stop-motion ads Willingham made for Whole Foods in 2022.)

His wife and father-in-law work with the Seattle-based artist in a garage that has been converted into an art studio. “They help with a lot of the printing, cutting, supplies, studio set-up, etc. It’s a true family business,” Willingham says.

“We’re in the process of rebranding to Rudy Willingham Studios as opposed to [me] just being known as an artist/creator,” he reports. “Social media is a huge part of what we do, but we can also create larger TV campaigns, billboards, art installations, copywriting, etc. We can act as a small ad agency when needed.”

Here, Willingham talks about his celebrity-inspired artistic endeavors in more detail:

I know you have to be a fan of Simone Biles because you have celebrated her in two new projects. Why is she such an inspiration to you?

What she does in the air doesn’t even seem real. It looks CGI. I’m in awe of her physical ability. I’m also inspired by her comeback story. Everyone deals with struggles, and being able to fight through that and excel takes a lot of courage. It’s what sports are all about. I can’t believe she took two years off and comes back even better. Who does that? I love witnessing greatness, and she is definitely the G.O.A.T.

Are you sporty at all?

I’m a huge sports fan and played a ton of sports growing up. I’m retired now—pretty sure I’d tear my ACL playing any sort of pickup game at this point. Also, can’t risk injuring my thumb. How would I hold my cutouts?

I have watched your Simon Biles paper cutouts piece a million times. Can you take me through the process of making it?

It’s quite laborious, but we have a pretty efficient system. First, we export 100 images from her routine. Then we turn the background white and make her leotard transparent in Photoshop. Then we print and cut each frame with a Cricut machine. 

We shot all the cutouts in front of red, white or blue backgrounds to give them that patriotic feel. After shooting, it’s just a matter of editing in Lightroom and then lining up each card in Premiere. 

How long did it take to complete that piece?

About two weeks start to finish.

You also recently created an image of Eminem out of 7,000 M&Ms. Was that more or less the amount of M&Ms you initially thought it would take?

We knew it would take around 7,000, but it took so much longer than we initially anticipated.

The main problem was that we had to super glue the back of each one , which was a nightmare. When we’re experimenting with new styles, it’s always difficult to estimate how long a project will take. I was really happy with how it turned out, though. And now we can take what we learned and apply it to new projects moving forward.

What are the challenges of working with milk chocolate covered in a sugar shell?

They were surprisingly durable! I was initially worried they’d melt with the glue, but they held up really well. 

I’ve been listening to Sabrina Carpenter’s “Espresso” nonstop. So I was delighted to see you made Sabrina Carpenter stop-motion art out of 200 espressos. How did you create the designs, and how many espresso machines did you have going? I can’t even wrap my head around how much work went into this piece.

I was excited when that song blew up because we’d done a bunch of latte animations, so we had the process down and now had the perfect subject for it.

All it takes is one machine, lots of coffee and a ton of patience.

Do you know if Simone, Eminen or Sabrina have seen any of this amazing art?

I know Simone and Sabrina have seen it, which is so cool. I don’t see Eminem as a big social media guy. So, he probably has not.

I find everything you do so clever and joyful. Why do you make art?

For exactly that reason—to make people happy. I have an insatiable urge to make stuff. It’s almost like breathing. I just have to do it. I’m sure most artists can relate.

Are you self-taught, or did you study how to make art?

I have no formal training other than working at ad agencies for 10 years. [Including stints at WongDoody and DNASeattle]. I started in new business, then moved on to strategy, digital, and then, finally, copywriting. I think this breadth of career experience has really helped me in what I’m doing now because as a small business owner you have to wear a lot of hats.

How would you describe what you do as an artist?

I always have trouble doing that. I guess you could put my art into two buckets. Number one: stop-motion using practical materials—paper, snow, lattes., basically anything but CGI. And number two: street art/collage art—transforming everyday objects into something new. 

I have a lot of different techniques, but the one thing I want to be consistent is that it’s handmade, organic and fun.

Do you work whenever inspiration strikes, or do you have set hours—like maybe you are a morning person, or an evening person? 

I’m definitely a night owl, although I have two young kids, so I’ve had to begrudgingly become a morning person. We’re working pretty much around the clock because you have to constantly pump out work to succeed on social. It’s a grind, but it doesn’t really feel like work.

Do you have any dream clients? Here is your chance to put that out into the world.

Would love to do some work for the 2026 World Cup and 2028 Olympics in L.A. I’m also interested in getting into music videos, TV show intros and more broadcast spots.

One of the best things about our business is that we’re very nimble and can work on big and small projects depending on what the brand needs. Clients don’t have to hire an entire film crew to get something done, which makes turnaround much faster and hassle-free.

Do you listen to music while you work?

I listen a lot to KEXP 90.3, an incredible radio station in Seattle.

I also make music myself. Search Rudy Willingham on Spotify. I started my social accounts as a way to promote my music, but then the art took off so I’ve been focusing on that. I’m hoping to get back into the music game soon, though. 

Any upcoming projects you would like to tease?

For so long, I’ve wanted to launch an Etsy store and start releasing music again. Hopefully, by answering this question it will manifest into reality.

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Simone Biles and Powerade Urge Athletes to Take a Break for Their Mental Health https://musebyclios.com/sports/simone-biles-and-powerade-urge-athletes-take-break-their-mental-health/?utm_source=rss&utm_medium=rss&utm_campaign=simone-biles-and-powerade-urge-athletes-to-take-a-break-for-their-mental-health https://musebyclios.com/sports/simone-biles-and-powerade-urge-athletes-take-break-their-mental-health/#respond Fri, 18 Mar 2022 13:00:00 +0000 https://musebyclios.com/uncategorized/simone-biles-and-powerade-urge-athletes-to-take-a-break-for-their-mental-health/ If Simone Biles can’t assure athletes it’s OK to take a time-out from the grind of practice and competition to focus on their well-being, maybe no one can. Citing mental-health issues, the champion gymnast famously skipped some events at the 2021 Tokyo Olympics. Now, Biles joins other sports greats for a Powerade initiative touting self-care, […]

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If Simone Biles can’t assure athletes it’s OK to take a time-out from the grind of practice and competition to focus on their well-being, maybe no one can.

Citing mental-health issues, the champion gymnast famously skipped some events at the 2021 Tokyo Olympics. Now, Biles joins other sports greats for a Powerade initiative touting self-care, rest and reflection as essential to winning, both on and off the playing field.

Developed by Publicis Groupe and timed to March Madness, “Pause Is Power” rocks a lighthearted vibe that helps deliver its serious message in breezy style.

We open on Premier League soccer coach Antonio Conte, who kicks back in a comfy recliner, telling his players, “We are missing pauses.” They think he means “passes,” but Conte makes his point in the end:

Video Reference
PAUSE is POWER by POWERADE

As the :60, directed by Stink Films’ Traktor, unfolds, British gold-medalist diver Tom Daley and his squad do some knitting to unwind. A football squad takes a break with a rainy-day ballet, and former NBA standouts Chris Webber and Jason Williams pause on a pickup court to celebrate their mad shot making.

Conte’s a hoot, and he pops up to knit a sweater with Daley. No stranger to steals, Antonio almost upstages Biles—but not quite.

She shines by bailing on her stressful day and heading out for a manicure. “Sometimes, you gotta stop to be an actual human,” she explains to a goat seated next to her in the salon. (Think G.O.A.T., people.)

Simone gets the last word, too, sweetly encouraging a fledgling gymnast after the kid stumbles mid-routine. “You’ll get it tomorrow,” Biles says. Such simple wisdom puts everything in perspective.

“We push ourselves hard physically and emotionally to achieve our dreams but if we are not our best mentally, then we are not maximizing our full potential,” Biles says in a blog post. “I want to help encourage everybody to be kinder to themselves, because that’s when we’re at our strongest and we can achieve the most.”

Coca-Cola-owned Powerade also launched a Press Pause Contest, with 20 grand prizes of $10,000 each to help student athletes recharge in the off-season.

That aspect recalls Arby’s contest for college running backs, but a brand rep says this campaign “goes beyond NCAA NIL. Today’s generation of athletes is rewriting the rules of winning and pushing back on the toxic sports culture perpetuated by a ‘win at all costs’ mentality. In pausing to be human first, we come back stronger than we were before. We believe it’s a message that not only resonates among athletes, but for all people living in today’s high-pressure world.”

CREDITS

Client: The Coca-Cola Company

Global Hydration Category President: Matrona Filippou
Global Advanced Hydration Sr. Director: Claire Pinel
Global Creative Strategy Director: Islam ElDessouky
Global Sr. Creative Content Manager: Laura Legrenzi
North America Active Hydration Director: Jeffrey M Fitch
North America Sr. Creative Content Manager: Shevon Williams
North America Senior Brand Manager: Tarek Metwally
Global Producer: Elsa Casadevall
Global Producer: Maria Silva
Global End to End Sr. Director: Mariano Moro

Agency: A Publicis Groupe Power of One offering drawing from creative and production teams across Publicis Italy, Publicis Mexico, Leo Burnett Chicago and Digitas NY. 

Global Chief Creative Officer Publicis Worldwide: Bruno Bertelli
CCO: Diego Wallach (Publicis Mexico)
CCO: Britt Nolan (Leo Burnett Chicago)
ECD: Sam Shepherd (Leo Burnett Chicago)
Creative team: Jason LaFlore, Matt Turnier, Katie DiNardo, Kelley Barret, Leo Varela, DarĂ­o RodrĂ­guez, Julio CerĂłn (Leo Burnett Chicago & Publicis Mexico)
Chief Strategy Officer, North America: Young Lee (Digitas NY)
VP, Strategy director: Allie O’Shea (Publicis NY)
VP Group Director, Creative Strategy: Jess Friedman (Digitas NY)
Global Client Lead: Lorenza Montorfano (Publicis Italy) 
Group Account Director: Mirjana Slavkovic (Publicis Italy)
Account Supervisor: Elisa Tanganelli (Publicis Italy)
Senior Client Partner: Tiya Fazelbhoy (Publicis Groupe)
SVP, Account director- US: Michael Barclay (Leo Burnett Chicago)
Account Supervisor- US: Vejurnae Leal (Leo Burnett Chicago)
Vice President Strategy: Adrian Sutherland (Publicis Sports and Entertainment)
Chief Experience Officer: Matt Marcus (Publicis Groupe)
VP, Director of celebrity services: Peggy Walter (Leo Burnett Chicago)
Transformation Practice Lead, Global: Claire Molyneaux (Publicis Groupe)
Senior Director, Global Business development: Leah Schneider (Publicis Groupe)
Global Media lead: Major Steadman (Publicis Groupe)
Head of Communications and PR: Lizzie Dewhurst (Publicis Groupe)
Global PR and communications manager:  Julie Foulet (Publicis Groupe)
Creative awards Director: Alice Staite (Publicis Groupe)
EVP, Head of Production: Mike Davidson (Leo Burnett Chicago)
EVP, Executive Producer: Ashley Geisheker (Leo Burnett Chicago)
Senior Producer: Sara Martin (Leo Burnett Chicago)

Production: Stink Films
Director: TRAKTOR
DP LOS ANGELES: Rachel Morrison
DP LONDON: Alex Barber
Editor: Matthew Wood (Whitehouse Chicago)
Color Grade: Harbor NY
Finish: Framestore Chicago
Audio Mix: Another Country
Photographer: Neil Dacosta

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Viola Davis, Simone Biles, Questlove Make Striking Appeal to Black Americans to Wear Masks https://musebyclios.com/advertising/viola-davis-simone-biles-questlove-make-striking-appeal-black-americans-wear-masks/?utm_source=rss&utm_medium=rss&utm_campaign=viola-davis-simone-biles-questlove-make-striking-appeal-to-black-americans-to-wear-masks https://musebyclios.com/advertising/viola-davis-simone-biles-questlove-make-striking-appeal-black-americans-wear-masks/#respond Wed, 19 Aug 2020 13:30:00 +0000 https://musebyclios.com/uncategorized/viola-davis-simone-biles-questlove-make-striking-appeal-to-black-americans-to-wear-masks/ In a coronavirus safety campaign, Viola Davis, Simone Biles, Questlove and others mask up, urging fellow Black Americans to follow suit and help stem the spread of Covid-19. 3AM, a division of entertainment agency Wild Card Creative Group, developed the PSAs under the aegis of the Ad Council on behalf of the Centers for Disease […]

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In a coronavirus safety campaign, Viola Davis, Simone Biles, Questlove and others mask up, urging fellow Black Americans to follow suit and help stem the spread of Covid-19.

3AM, a division of entertainment agency Wild Card Creative Group, developed the PSAs under the aegis of the Ad Council on behalf of the Centers for Disease Control and Prevention and the U.S. Department of Health and Human Services.

In this 60-second anthem, a dozen famous faces appear, partially hidden by cloth and gauze, with each subject speaking a few lines of narration:

Video Reference
You Will See Me | Coronavirus Response | Ad Council

“Even though there is so much against us, you will see me choose to protect myself and my community from the coronavirus by wearing a face covering,” the ad begins. “Because it’s going to take all of us thinking about one another. And even with my face covered, you will see me. You will see me as a mother, a wife, a friend. As an athlete that gave everything to the game I love. As a father leading by example. As a sister. An entertainer. A champion for my people.”

At one point, Black Lives Matter demonstration footage appears, along with a call for “demanding the space to tell the stories that matter.”

Black-ish actor Marcus Scribner headlines a second spot:

Video Reference
You Will See Me – Marcus Scribner | Coronavirus Response | Ad Council

Both ads close by reminding viewers, “Covering your face is one small act of kindness that has the power to bring us all together.”

Combining themes of pandemic awareness and social justice makes sense, as communities of color have suffered disproportionately during the outbreak. Research shows an infection rate of 62 per 100,000 among Black Americans, compared to 23 per 100,000 for whites. In some U.S. cities, Black people account for more than half of Covid-19 deaths, though they comprise 12 percent of the nation’s population. (Race relations and Covid also mixed in this Ad Council PSA about anti-Asian bigotry.)

Ad Council president Lisa Sherman calls the “You Will See Me” campaign, “a message of inspiration and motivation to keep up the fight. We know that face masks are the single most effective way we can protect others from the virus. This is a powerful and critical platform for the Black community.”

3AM “cast a wide net” to include representatives “from different segments of the multi-faceted Black community,” says agency chief marketing officer Tara DeVeaux. “Viola Davis is a legend whose voice is almost as recognizable as her face. But ensuring we reached the faith-based community with talent like Kirk Franklin and Lacrae, and a younger Black audience with someone like Marcus Scribner, enabled us to have the broadest reach.”

Planning commenced as racial tension erupted across the country. Understandably, such upheaval influenced creative development.

“We were briefed on this project about a week after the Ahmaud Arbery shooting gained national attention,” DeVeaux recalls. “In our very first conversation with the Ad Council, we said we’d love to tackle the brief as long as they were open to us developing a campaign that also addressed the risks Black Americans face while wearing masks. They wholeheartedly agreed.”

As remote production began under lockdown conditions, “George Floyd was killed,” says DeVeaux. “His murder had a tremendous impact on the whole team. We cried together and learned from each other, but our resolve was strong. The primary message of ‘You Will See Me’ is to wear a face mask to protect yourself and your community from the coronavirus but a strong secondary message is that we, as Black people, want to be seen for the human beings we are under the mask.”
 
The anthem ad features, in order of appearance:
Viola Davis
Black Thought from the Roots
Marcus Scribner
Al Shearer
Stephen A. Smith
Victor Cruz
Lecrae
Lala Anthony
Deon Cole
Simone Biles
Questlove of the Roots
Kirk Franklin

CREDITS

Client: Ad Council x CDC 
Heidi Aurthur, Chief Campaign Development Officer 
Tracy Danich, VP, Campaign Director 
Anna Rodriguez, Campaign Director 
Anuar Saab, Campaign Manager  
Ellyn Fisher, SVP, Marketing and Communications
Emily Kostic, Director, Public Relations, Social Media & Brand
Christine Medina, VP, Digital Product 
Lina Rezina, Talent Relations and Partnerships Manager
Felicia Carmichael, Director of Media, Social and Emerging 

Agency: Wild Card | 3AM 
Tara DeVeaux, EVP, Chief Marketing Officer
Evan DeHaven, Executive Creative Director
Molly Douglas, Creative Director / Writer
Amber Wade, Producer
Wilson Saloj, Designer 
Shawn Shahani, Director of Insights 
Fredrick Brown, Senior Strategist
Victoria Carter, Marketing Coordinator
Tracey Smith, Casting Director
Ada Lovecraft, Web Developer
Grace Mekarski, Web Developer

Post- Production 
Louie Lorenzo, VP of Client Services
Pablo Herrero, Producer 
Katie Spritz, Associate Producer 
Chris Bohr, Editor 
Andrew Vann, Editor
Luke Porst, Editor
Charlie Butterworth, Editor
Emily Pietrocarlo, Editor
Jeremy Fisher, Creative Director Graphics
Cameron Starke, Graphics
TJ Lowe, Graphics
Stephanie Koury, Music Director
Lana Bui, Music Supervisor
Teoderico Berberabe, Music Coordinator 
Joshua Strauss, Operations Manager
Scott Sprague, Post Production Manager 
Jack Ritten, Assistant Editor
Pablo Lara, Assistant Editor
Amruta Patil, Assistant Editor

Production: Happy Place, inc.
Tara Razavi, Founder & Creative Producer 
Bille Woodruff, Director 
Danny Yirgou, Director 
Adam Coleman, DP
Peter Mosiman, DP 
Gina Naranjo, Line Producer
Sarahi Salazar, Production Coordinator
Allison Acevedo, Producer
Tony Stackhouse, Post Producer
Brandon Moody, Post Production Coordinator

Finishing: New Wave Entertainment
Shawn Stoner, Post Supervisor/Online Editor
Deloren Hickles, Rerecording Mixer
Sam Dlugach, Colorist
Ed Twiford, Colorist
Ed Molina, Compositor

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