The game’s on through July 14, and the high scorers wins free burgers and a limited-edition Chili’s Big Smasher BurgerTime arcade cabinet. The next pair of high scores also nab an arcade cabinet.

“Matt [Sorrell] and I work as a freelance-based creative team for Chili’s, handling a variety of projects, ” says Jonathan Marshall of Jon Marshall & Daughters.

“A while back, we were discussing a new burger they were working on that would become The Big Smasher. Matt made a joke that we should recreate ‘BurgerTime’ and everyone immediately nodded and we started on that basically right away. We had Chili’s—known for their burgers—partnering with a nostalgia-inducing game about making burgers. Some things are just meant to be.”

After the contest concludes, the game will be playable until June 2025.

“The goal was to create an authentic recreation of the complete game, not just a quick one-off level or smaller experience,” Marshall tells Muse. “This was a childhood favorite of all our’s, and the game has a huge and dedicated following, so we needed to nail the details. Start to finish, that took probably three or four months. The storyline of the original BurgerTime prophetically nailed the current burger landscape: someone’s trying to stop you from making big, delicious burgers. Fast forward 40 years and you have this environment where everyone is tired of overpriced fast-food, just as Chili’s is launching a new burger in a deal that’s only $10.99.”

Is there a therapist in the house?

Our brain cells died oh so satisfied watching that broad branded stupidity from Mischief @ No Fixed Address.

Elsewhere, sans mascot, Chili’s gets up in McDonald’s grill with spots from Jon Marshall & Daughters:

The campaign sells a simple menu/pricing message with twisted, peppy panache. It’s memorable and seamlessly on brand.

Best of all: the mascot’s a self-centered, neurotic loud-mouthed mess. Make a pull-string version that plays his cray take on the jingle. It’ll sell out fast!

Expert puppeteers at Steffx Studio designed the lumpy grump, and it took four technicians working together to make him move.

“Credit to the Chilis team. When we first showed them this monster they said, ‘Can you make his teeth worse?'” recalls Mischief group creative director Ross Fletcher.

The notion to have the chili pepper riff on the baby back ribs song developed on set.

“We thought it conveyed his desire to be the Chili’s mascot,” says Howard Finkelstein, also an agency GCD. “And it really made us laugh.”

He adds: “The real hero is the actor who had to spend a whole day inside the suit. I caught a whiff in there. It did not smell good.”

Like the headline says: That pepper’s hawt!

And this might be Mischief’s most memorably bizarre character—which is really saying something. Past doozies (all of the animal variety) include Outback’s creepy Xmas koala; Eos’ foxes that wear people; FanDuel’s existential chickens; and Tubi’ weird, award-winning Super Bowl bunnies.

And no, they didn’t record the original version. You can’t believe everything you read on the internet. (Except Muse!)

“We are embracing our history and the things that make Chili’s such a beloved brand,” says CMO George Felix. “This reboot is certainly part of that push as we’re paying respect to the original jingle while having Boyz II Men lend it their Grammy-winning sound. We can’t wait to watch our fans make their own versions of the jingle on TikTok.”

“Many of our guests grew up with the baby back ribs Jingle stuck in their heads, so hearing the rerelease sung by one of the most popular groups from that decade will hopefully bring them back to a moment they know and love,” adds VP of marketing Jesse Johnson. “This will not only be nostalgic because of the song itself, but because of the group we choose to re-record it.”

And Chili’s has your limited-edition vinyl plus T-shirts right here.

The spot breaks today, a sequel of sorts to a throwback entry from February starring R&B legend Brian McKnight. Both ads play into 2023’s music nostalgia craze for brands, as well as the trend of boy band vets starring in commercials.

Such cultural callbacks never lose their flavor. We’ll look forward to the next helping. But for now, we just want our baby back, baby back, baby back, baby back… 

Mischief @ No Fixed Address developed the campaign; Vincent Peone directed.

To promote its “3 for Me” menu, Chili’s Grill and Bar tapped Mischief @ No Fixed Address to make the most of a Brian McKnight cameo. It paid off for us somewhat more than we expected.

There are so many celebrity walk-ons in Super Bowl ads that they all blur together, like a bunch of TV people wandering through your house in a fever dream. So it feels novel to get a post-Bowl celeb surprise. 

The “remix” opens with a date-night couple at Chili’s, who are surprised to find their server is a dead ringer for McKnight. The latter’s melancholy ballads probably closed out the majority of high school proms about 20 years ago—a figure that makes us grimace. Probably every generation laments the rapid passage of time, but millennials are the first to have the privilege of doing it via social media all day long, year on year, forever. Maybe it’s for this reason that we love a throwback: It’s the kind of wound that hurts so good.

“You think 16-time Grammy nominated R&B star Brian McKnight is a waiter at Chili’s?” the waiter asks. 

“Well, your name is Brian,” the woman retorts, noting the server’s name-tag.

Our guy continues to demur with growing snippiness, so the couple moves on. “Do you know how the’ 3 for Me Meal’ works?” the waiter asks. When they say no, the ambiance goes all starry and he belts out an adaptation of his summer 1999 hit “Back at One.” 

Except, you know, instead of describing the math of his emotions, it’s the math of “3 for Me.”

That math is pretty simple, actually: It’s just a combo meal involving a drink, appetizer and main course. Brian stops mid-song to let the stunned woman order, then triumphantly turns toward the guy and croons, “Four: Repeat steps one, two, three!”

Look. Some people might argue that an artist cashing in on their fame this flagrantly is pathetic, especially after so much time. Those same people probably jammed hard to the Big Game halftime show last year, featuring a bevy of nostalgic OGs who probably do less hair-swinging out of cars than hair-braiding for offspring these days. Case in point: Snoop, who in December released an album of self esteem-boosting kids songs titled Doggyland.

The point is, it’s not about selling out. It’s about cashing in, because we all have somewhat samey existential stakes—including the giant stack of bills—and a universal desire to feel like we still matter while paying the aforementioned bills doing something fun. 

This feels like it was fun for Brian McKnight to do. And hearing his remixed “Back at One” was the serotonin boost we never knew we needed. It managed to send us back to the adolescent slow-dance—thinking that cute guy actually cared that we could sing this song pitch-perfectly into his ear as we shuffled across the gym—while liberating us to laugh about the fact that we’re all old now.

It was quite a thing, being a teenager with vibrating youth and potential while Brian was at the height of his Sinatradom. Now we’re old, jiggly and sleepy all the time, and some parallel-universe version of McKnight might as well be working at Chili’s.

Anyway, even after this quite obvious reveal of his true identity—and his gracious signing of a quick autograph—Brian goes on denying his identity to the very end. 

Word from the man himself: “I was thrilled to be able to collaborate with such an iconic brand like Chili’s on this remake of one of my favorite hits—it truly felt like such a natural fit and a no-brainer,” says McKnight. “The song is all about steps, much like Chili’s 3 for Me menu. As a foodie with a long-standing love for Chili’s, I was even more excited to dedicate this ‘Back at One’ remix to food.”

That quote is just as absurd as the rest of this, which only makes us miss the guy more. Beyond that, the ad does a perfectly adequate job of illustrating the surreal weirdness of Chili’s “Southwest-inspired American cuisine” experience, and will probably get a lot more bang out of its buck for having ignored the Super Bowl entirely.

It’s the brand’s first ad in three years. A Super Bowl spot is, at times, a one-hit wonder, insufferable the second it’s over. This is work they can run for awhile, and scale, without driving us all crazy.

The remix will appear on Chili’s YouTube and social media channels.