Fashion and Beauty | Muse by Clios https://musebyclios.com Discover the latest creative marketing and advertising news. Muse by Clio is the premier news site covering creativity in advertising and beyond. Fri, 09 Aug 2024 17:03:44 +0000 en-US hourly 1 https://wordpress.org/?v=6.5.5 https://clio-muse-prod-media.s3.amazonaws.com/wp-content/uploads/2024/07/12035206/cropped-muse_favicon-32x32.png Fashion and Beauty | Muse by Clios https://musebyclios.com 32 32 e.l.f. x Anastasia Pagonis Blaze New Trail for Beauty Inclusivity https://musebyclios.com/fashion-and-beauty/e-l-f-x-anastasia-pagonis-blaze-new-trail-for-beauty-inclusivity/?utm_source=rss&utm_medium=rss&utm_campaign=e-l-f-x-anastasia-pagonis-blaze-new-trail-for-beauty-inclusivity https://musebyclios.com/fashion-and-beauty/e-l-f-x-anastasia-pagonis-blaze-new-trail-for-beauty-inclusivity/#respond Fri, 09 Aug 2024 12:00:32 +0000 https://musebyclios.com/?p=60972 e.l.f Beauty is making waves—not just in the pool, but in the beauty and marketing industries, too. The cult favorite cosmetic and skincare brand has joined forces with world champion blind swimmer Anastasia “Tas” Pagonis to help make beauty more accessible for the blind and low-vision community. Together they’ve announced the brand-new “Beauty For Every […]

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e.l.f Beauty is making waves—not just in the pool, but in the beauty and marketing industries, too. The cult favorite cosmetic and skincare brand has joined forces with world champion blind swimmer Anastasia “Tas” Pagonis to help make beauty more accessible for the blind and low-vision community.

Together they’ve announced the brand-new “Beauty For Every Eye” bundle. A limited-edition kit that is packed with three of Tas’ favorite e.l.f. products: Big Mood Waterproof Mascara, Glossy Lip Stain in Power Mauves and Suntouchable Whoa Glow SPF 30 in Sunbeam. Key items for a swimmer who likes to keep a beat face in and out of the water but that is not what makes the collection truly unique.

The beauty of this collection (pun intended) is that each product comes with a QR code that links to audio recordings. These provide descriptions, details on the finish and application tips.

This creative adaptation of QR technology represents a big step toward making beauty products—and potentially, other items—more user-friendly for those with visual impairments. By focusing on inclusivity, the brand has created a solution that can be replicated by marketers across the industry to make their products more accessible, engaging and practical for everyone.

It’s a reminder that when brands think outside the box—or in this case, outside the compact—they can create innovations that not only enhance the user experience but also set new standards for inclusivity in the industry.

World champion blind swimmer and beauty inclusivity advocate Anastasia Pagonis
World champion blind swimmer Anastasia Pagonis

Pagonis, who’s all about breaking barriers, says this partnership was a dream come true. “Together, we’re making strides to ensure the beauty industry is welcoming and empowering for people of all abilities.”

This isn’t the first time the brand has tapped the champion swimmer. They first linked up in 2023 for e.l.f.’s inspiring “Show Your(s)e.l.f.” documentary series. Pagonis was one of the featured disruptors, sharing her story and showing that beauty comes in all forms.

The brand is no stranger to working with legends on beauty inclusivity, having served facts with a living icon back in May of this year.

According to Kory Marchisotto, e.l.f. Beauty’s chief marketing officer, this collaboration is part of a bigger brand mission:

“Tas demonstrates the beautiful magic that happens when people embrace who they are, defy labels, and see barriers as stepping stones. She redefines limitless.”

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Zendaya and On Footwear Put Dreams Into Vibrant Motion https://musebyclios.com/sports/zendaya-and-footwear-put-dreams-vibrant-motion/?utm_source=rss&utm_medium=rss&utm_campaign=zendaya-and-on-footwear-put-dreams-into-vibrant-motion https://musebyclios.com/sports/zendaya-and-footwear-put-dreams-vibrant-motion/#respond Thu, 06 Jun 2024 14:00:00 +0000 https://musebyclios.com/uncategorized/zendaya-and-on-footwear-put-dreams-into-vibrant-motion/ Zendaya and a troupe of dancers dazzle in “Dream Together,” celebrating movement and sports with a stylized :60 set on a running track and directed by choreographer C. Prinz through Smuggler. The Swiss sportswear brand treats us cascading bodies in motion, an exhilarating experience befitting On’s standing as a sneaker du jour for Gen Z. […]

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Zendaya and a troupe of dancers dazzle in “Dream Together,” celebrating movement and sports with a stylized :60 set on a running track and directed by choreographer C. Prinz through Smuggler.

The Swiss sportswear brand treats us cascading bodies in motion, an exhilarating experience befitting On’s standing as a sneaker du jour for Gen Z.

If Busby Berkeley were alive today … he’d be 128 years old. And he’d surely applaud the creative approach.

Video Reference
On | Dream Together

“I owe so much to the people around me for getting me to where I am and this film recognizes and appreciates those who support and uplift us every day,” Zendaya says in campaign materials. “I think this feeling of collaboration and inclusiveness shines through in what we’ve created.”

Dropping worldwide today, the film kicks off a multiyear collaboration with Zendaya. The actress and fashion icon makes a fine fit for the brand. Both appeal to the same youthful audience, and they’re trending in a positive way.

Plus, the video does well to focus on a vibe rather than bogging down with shots and descriptions of kicks. On runs in the space between style and performance. “Dream Together” reflects that reality and tosses in some affirmative feels to boot.

“We’ve been massive admirers of Zendaya’s ability to inspire a generation and dream big,” says On co-founder David Allemann. “We can’t think of a better partner to help us grow, evolve and connect with people around the world than Zendaya. This film is the beginning of more stories to come and we are eager to bring in new and distinctive voices alongside Zendaya to continue our mission to dream together.”

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How Getty Produced and Distributed 20K Images and Videos From Met Gala https://musebyclios.com/fashion-beauty/how-getty-images-produced-and-distributed-20k-images-and-videos-met-gala/?utm_source=rss&utm_medium=rss&utm_campaign=how-getty-produced-and-distributed-20k-images-and-videos-from-met-gala-2 https://musebyclios.com/fashion-beauty/how-getty-images-produced-and-distributed-20k-images-and-videos-met-gala/#respond Tue, 14 May 2024 13:30:00 +0000 https://musebyclios.com/uncategorized/how-getty-produced-and-distributed-20k-images-and-videos-from-met-gala-2/ This year, the likes of Zendaya, Jennifer Lopez, Bad Bunny, Cardi B, Shakira and Lil Nas X walked the red carpet at The Met Gala. And while the celebrities—in all their sartorial splendor—are, understandably, the focus of media coverage, I was curious about how Getty Images, the event’s official photographer, captures the red carpet glamour […]

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This year, the likes of Zendaya, Jennifer Lopez, Bad Bunny, Cardi B, Shakira and Lil Nas X walked the red carpet at The Met Gala. And while the celebrities—in all their sartorial splendor—are, understandably, the focus of media coverage, I was curious about how Getty Images, the event’s official photographer, captures the red carpet glamour and all those candid shots from inside the party.

Embed from Getty Images

Here, Kirstin Benson, Getty Images’ VP of global entertainment, takes Muse behind the scenes, revealing the immense amount of planning, coordination and teamwork that goes into covering fashion’s biggest night.

MUSE: How long has Getty been the official photographer of The Met Gala, and what does it mean to your team to cover such a culturally significant event?

Kirstin Benson: Getty Images has been capturing The Met Gala for decades and first officially partnered with the event in 2018. We now cover every aspect of the invitation-only event, including red carpet arrivals and departures and candid images from inside the party and live performances—intent on providing an intimate look at an unparalleled evening for the world to see. The event is unique in that it brings together so many different walks of life–designers, politicians, actors, models, musicians and athletes. Not to mention, it’s visually arresting with everyone dressed in theme. It’s no wonder it holds such cultural relevance around the globe.

How many photographers and videographers captured images and video from this year’s Gala?

This year, the Getty Images team comprised around 15 photographers and videographers, plus producers, technology support and operations pros, runners, and more than three dozen editors—both on-site and remote. Overall, we had more than 70 team members working in real time to produce and deliver content—both imagery and video—globally to our customers.

Embed from Getty Images

How did you choose the team of photographers and videographers? Are these all people with experience shooting fashion and Hollywood events?

When formulating The Met Gala team each year, we take several things into consideration. First, we look to highlight our photographers and videographers’ strengths. Some thrive behind the line on red carpets. Others thrive in what we call “roaming” positions, where they pair talent up for photos or take more candid moments. And some specialize in performance or music photography. Another component is ensuring we have a diverse set of experiences and perspectives behind the camera. This includes a variety of factors, such as representation across our team of content producers and production staff, varied years of experience and different areas of expertise.

In addition to our staff creators, this was the first year that our two entertainment internsMarleen Moise and Aliah Andersonwere able to shoot on the red carpet, too. We were delighted to feature seasoned creators alongside up-and-coming content pros and strengthen the quality of our coverage and storytelling from fresh perspectives.

How far in advance of this year’s Gala did you start organizing your team, and what kind of planning did you do?

We had our first meeting for the 2024 about three weeks after last year’s Met Gala. We recapped everything that happened and reviewed what we’d like to keep or change moving forward. The Met Gala is one of our biggest editorial events of the year and involves several cross-functional teams across Getty Images, including production and technology, photographers/videographers, assignment editors, still and video editors, and legal, to name a few. Everyone has a unique role to play to bring this night to life. In short, it takes a village.

Is there a dress code for the photographers you have covering this event?

The dress code for the Met Gala is formal/black tie. We expect the team on site to follow the dress code and wear “production black.”

How did things work the day/night of the event? How did you make sure there was always a photographer where one was needed?

Set-up is an all-day thing. We have members our team coming in from across the U.S. It’s a large operation to ensure the editing room is set up and technology for our photographers and videographers is in place. In the last two years, we introduced the use of remote cameras to capture the event. This allows us to put cameras in places where our creators can’t physically be. The cameras are set up the weekend prior to the event for testing and can’t be accessed until after the event. Remote cameras are typically used by our sports team on the catwalks, nets and roofs of venues and something we decided to incorporate for the red carpet to continue to innovate and find new ways to capture the event.

The red carpet begins around 5 p.m. and runs for several hours. Given there’s always a lot happening on the carpet, we have photographers and videographers in a variety of positions with different levels of access. They’re trained to capture everyone who walks in front of the lens. Since this is an invitation-only event, there’s so many surprises the night of the party—between the talent that shows up, what they’re wearing and who’s performing.

Our creators also have long-term relationships with talent, which plays to our advantage—especially inside the event or roaming on the red carpet. 

How fast were you able to get the images up on the Getty Images site? And what’s that process like?

We pride ourselves on speed to market and accuracy. Getty Images can send photos and videos from the center of the action on the red carpet to a publication in as little as 30 seconds. As soon as our creators shoot the content, the editors on-site and remote get to work editing and captioning in our proprietary software, before sending the content to our site and feeds in near real time.

We also capture high-quality video content. With our world becoming increasingly digital and highly visual, this footage is important for our customers in telling their stories, especially on social and online.

What makes the Met Gala especially challenging to cover? And how does it compare in size and scope to other events?

The hardest part is logistics. The museum is open to the public until the day prior to the event, so we wait to build out the infrastructure until the night before or the morning of the event, which takes a lot of pre-planning. It’s the biggest night of the year for fashionand, from an event-photography perspective, it’s certainly on par with other entertainment tentpoles, like the Oscars or BAFTAs.

How did you feel/what did you do after this year’s coverage wrapped? I would think you might need a vacation.

This year, our team posted around 20,000 images and videos from the beginning to the end. The coverage reflects why our team is the best and a trusted source in the industry. I’m proud of the team always setting the bar high and ensuring we are delivering content that people won’t find anywhere else.

Embed from Getty Images

Zendaya had my favorite looks of the night. She walked the red carpet twice and still managed to co-host the event! She looked striking in a custom Maison Margiela gown by John Galliano at the top of the night. Then, as the carpet was wrapping up, she surprised and delighted us all in a secondand even more dramatic lookwearing a vintage Givenchy dress by Galliano with a long black train and a headpiece filled with light-colored roses. She stayed in character for the entire carpet.

Following the event, our team was able to enjoy the city together and spend time with colleagues and partners we don’t always see. But there’s no rest for the weary! We had BAFTA TV & Film Awards this past Sunday, followed by Cannes Film Festival, which is starting this week.

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Minimalist OOH From Skincare Brand Packs Nothing Extra https://musebyclios.com/fashion-beauty/minimalist-ooh-skincare-brand-packs-nothing-extra/?utm_source=rss&utm_medium=rss&utm_campaign=minimalist-ooh-from-skincare-brand-packs-nothing-extra-2 https://musebyclios.com/fashion-beauty/minimalist-ooh-skincare-brand-packs-nothing-extra/#respond Fri, 10 May 2024 13:45:00 +0000 https://musebyclios.com/uncategorized/minimalist-ooh-from-skincare-brand-packs-nothing-extra-2/ To hell with snazzy AI images and famous faces. Instead, skincare brand The Ordinary scores with a marvelously minimal OOH initiative from creative studio Uncommon. Words drive the work. But we’re not talking about long copy. These billboards present spare, carefully chosen lines that describe the brand ethos as succinctly as possible. Good humor abounds. […]

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To hell with snazzy AI images and famous faces. Instead, skincare brand The Ordinary scores with a marvelously minimal OOH initiative from creative studio Uncommon.

Words drive the work. But we’re not talking about long copy. These billboards present spare, carefully chosen lines that describe the brand ethos as succinctly as possible.

Good humor abounds. Plus sleek, simple, eye-catching design with a pop art sensibility.

“People find it odd that we don’t name our products,” one ad  says. “We tried it once. But scientists are terrible copywriters. So we stuck with Hyaluronic Acid.”

Another reads: “Someone said working with celebrities would be good for our brand. But we couldn’t find one with a degree in biochemistry.”

Uncommon says its creative approach “represents the brand’s latest step towards changing the perception of the beauty industry by offering a voice of transparency.”

The text and intriguing use of negative space “speak to the brand’s philosophy of science over celebrity and marketing claims.”

The work begins breaking this week across North America and the U.K.

Uncommon’s become adland’s OOH darling of late, with other notable campaigns for MSI (cram-jammed with words), British Airways and Hiscox.

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Billie Jean King and e.l.f. Beauty Serve Facts About Diversity https://musebyclios.com/sports/billie-jean-king-and-elf-beauty-serve-facts-about-diversity/?utm_source=rss&utm_medium=rss&utm_campaign=billie-jean-king-and-e-l-f-beauty-serve-facts-about-diversity https://musebyclios.com/sports/billie-jean-king-and-elf-beauty-serve-facts-about-diversity/#respond Thu, 02 May 2024 16:30:00 +0000 https://musebyclios.com/uncategorized/billie-jean-king-and-e-l-f-beauty-serve-facts-about-diversity/ Boom! Bam! Bang! Billie Jean King launches one ball after another against the window of a company meeting room. She’s not messing around! The tennis legend and women’s rights icon looks spry at 80—and her serve packs a wallop in e.l.f. Beauty’s new PSAs backing corporate diversity. The point: there’s a distinct lack of equality […]

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Boom! Bam! Bang! Billie Jean King launches one ball after another against the window of a company meeting room. She’s not messing around!

The tennis legend and women’s rights icon looks spry at 80—and her serve packs a wallop in e.l.f. Beauty’s new PSAs backing corporate diversity.

The point: there’s a distinct lack of equality in American business, and it’s time for a change.

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e.l.f. | Serving Facts Intro

Oberland developed the quirky, likable approach, and BJK aces her performance.

Of course, King’s cultural bona fides are exemplary, ranging from the famous 1973 “Battle of the Sexes” vs. Bobby Riggs to her fight for women’s tennis reforms. It’s inspiring to see her take a swing at hot-button issues here in 2024.

For this campaign, e.l.f notes recent surveys showing that women make up 27 percent of corporate boards, which are on average 88 percent white.

The company describes its own board numbers—⅔ women and ⅓ diverse—as “a big step in the right direction.” Still, outreach is needed because “most people aren’t aware that there is so little equity in seats of decision-making.”

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e.l.f. | Preposterous

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e.l.f. | It's Broken

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e.l.f. | Learning Curve

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CeraVe Spoofs Rom-Coms in 'The One Under the Sun' https://musebyclios.com/behind-scenes/cerave-spoofs-rom-coms-one-under-sun/?utm_source=rss&utm_medium=rss&utm_campaign=cerave-spoofs-rom-coms-in-the-one-under-the-sun https://musebyclios.com/behind-scenes/cerave-spoofs-rom-coms-one-under-sun/#respond Fri, 12 Apr 2024 12:00:00 +0000 https://musebyclios.com/uncategorized/cerave-spoofs-rom-coms-in-the-one-under-the-sun/ It’s been said that love is strange. This faux rom-com, “The One Under the Sun,” directed by Erin Murray of production studio Florence, serves as a prime example. A young woman falls head over heels for CeraVe Facial Moisturizing SPF 30 after being introduced to the lotion by a dermatologist. Developed by 72andSunny, the work follows […]

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It’s been said that love is strange. This faux rom-com, “The One Under the Sun,” directed by Erin Murray of production studio Florence, serves as a prime example.

A young woman falls head over heels for CeraVe Facial Moisturizing SPF 30 after being introduced to the lotion by a dermatologist.

Developed by 72andSunny, the work follows CeraVe’s mega-popular Super Bowl commercial starring Michael Cera. (That spot, from Ogilvy North America, won the Super Clio as this year’s best Big Game commercial.)

“The One Under the Sun” will run in movie theaters and online, supported by posts from CeraVe’s board-certified dermatologist influencers—aka “Dermfluencers”—on TikTok and Instagram.

Here, Adam Kornblum—SVP, global head of digital marketing for CeraVe—delves into the thinking behind the parody.

Why did you go with the rom-com approach? 

More and more consumers, especially Gen Z, are skipping ads when they have the choice. So, we set out to hack traditional advertising by disguising a CeraVe ad as entertaining content. We created “The One Under the Sun” to blur the lines and connect with our target audience in a new way.

How did you balance making a parody while also selling your product?

When tackling the script, authenticity was key. We delved into the classic tropes of the genre while also infusing it with a modern twist. One of the primary strategies we employed was tapping into the cultural fascination with matchmaking and reality dating shows, which provided a rich backdrop for our narrative.

One of the central themes revolves around the “perfect match.” We integrated double entendres throughout the script, drawing parallels between the search for an ideal romantic partner and the quest for the perfect SPF.

By juxtaposing these two seemingly unrelated concepts, we were able to create a narrative that was both amusing and thought-provoking.

What did the trailer’s director bring to the project? 

By blending her two passions—dance [Murray is also a choreographer] and narrative filmmaking—Erin was able to create humorous, engaging and movement-driven work that added an extra layer of depth and emotion. Her intuitive understanding of rhythm and composition enriched the overall experience.

I could picture any of the actors in this trailer in a real Netflix rom-com. Everyone was so committed. How did you find your cast?

Our lead matchmaker was a no-brainer. Dr. Wallace Nozile, one of our trusted CeraVe board-certified dermatologists, was the perfect matchmaker for our rom-com spoof.

Olivia Bagg, portraying Sarah, our leading lady, was chosen for her funny and relatable qualities. She embodies the perfect imperfect girl, avoiding clichés. Brandon Delsid and Jack De Sanz star as Olivia’s quick-witted, real-talking best friends.

We originally set out to cast only one actor [to play Olivia’s best friend], but we couldn’t pass up both talents. They were simply too funny to work with only one. 

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Courting Success: Serena Williams' Marketing Mastery With WYN Beauty https://musebyclios.com/fashion-beauty/courting-success-serena-williams-marketing-mastery-wyn-beauty/?utm_source=rss&utm_medium=rss&utm_campaign=courting-success-serena-williams-marketing-mastery-with-wyn-beauty https://musebyclios.com/fashion-beauty/courting-success-serena-williams-marketing-mastery-wyn-beauty/#respond Thu, 04 Apr 2024 18:00:00 +0000 https://musebyclios.com/uncategorized/courting-success-serena-williams-marketing-mastery-with-wyn-beauty/ Serena Williams, renowned for her unparalleled triumphs on the tennis court, has once again volleyed her way into the limelight with a new venture. The multifaceted entrepreneur, athlete, mom and cultural icon just unveiled WYN Beauty, a makeup line that emphasizes empowerment and inclusivity. To say that this feels like a stroke of creative genius […]

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Serena Williams, renowned for her unparalleled triumphs on the tennis court, has once again volleyed her way into the limelight with a new venture. The multifaceted entrepreneur, athlete, mom and cultural icon just unveiled WYN Beauty, a makeup line that emphasizes empowerment and inclusivity.

To say that this feels like a stroke of creative genius would be an understatement. Yes, I might be a little biased as Williams (my friend Serena, in my head) is a personal hero to me and millions of women across the globe. But that aside, there’s something truly special about the way Serena approaches marketing.

Williams could have chosen any beauty house to launch a makeup line, but she collaborated with The Good Glamm Group, one of Asia’s largest platforms dedicated to supporting and accelerating mom micro-entrepreneurs.

The brand also has diversity at its core with a range of 35 foundation shades and a health-focused mission to “support organizations that provide necessary maternal care services to mothers and their communities.” These elements reflect the challenges Williams faced when searching for cosmetics to compliment her skin tone and navigating the trauma of a life-threatening childbirth experience. 

By selecting a partner with values that mirror her own and creating a brand that pulls from her life journey, Williams is making a statement about the kind of world she wants to see. It’s one where women from all walks of life are empowered to chase their dreams and succeed on their own terms.

Her beauty brand is a reflection of who she is and her unwavering commitment to authenticity and inclusivity. She’s not just selling makeup; she’s using her platform to uplift and empower women everywhere. WYN Beauty is also a manifestation of what Williams is—a winner—exactly what she’s inspired other women to be in their own right.

Standing out in a crowded marketplace like beauty is hard. But Williams has already shown she can slice through the noise and resonate with consumers by being true to who she is.

Creatives and marketers everywhere should be taking notes.

Not every product can have the power of Williams behind it. But aligning with purpose-driven partners can potentially elevate a brand from being just another contender to a source of real inspiration.

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How Tyla Helped Gap Get Its Groove Back (on 74) https://musebyclios.com/music/how-tyla-and-back-74-helped-gap-get-its-groove-back/?utm_source=rss&utm_medium=rss&utm_campaign=how-tyla-helped-gap-get-its-groove-back-on-74 https://musebyclios.com/music/how-tyla-and-back-74-helped-gap-get-its-groove-back/#respond Thu, 29 Feb 2024 23:00:00 +0000 https://musebyclios.com/uncategorized/how-tyla-helped-gap-get-its-groove-back-on-74/ In a bold move that merges nostalgia with the contemporary zeitgeist, Gap’s spring campaign featuring Tyla has ignited a wave of excitement across the internet reminiscent of the brand’s ’90s heyday. With its reimagining of “Back on 74,” a video from British band Jungle that inspired a global TikTok dance craze, Gap has not only […]

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In a bold move that merges nostalgia with the contemporary zeitgeist, Gap’s spring campaign featuring Tyla has ignited a wave of excitement across the internet reminiscent of the brand’s ’90s heyday.

With its reimagining of “Back on 74,” a video from British band Jungle that inspired a global TikTok dance craze, Gap has not only reprised its past, but also foreshadowed its future, capturing the essence of cool in a single campaign.

@gap Introducing #Linenmoves. @Jungle4eva’s worldwide hit “Back on 74” re-imagined with @Tyla. Featuring brand new choreography by @ShayLatukolan. Celebrating the moves that unite us. For individuals who make every move their own. #backon74 #junglebackon74 #backon74? #backon74edit #shaylatukolanchoreography ♬ Jungle Back On 74 – gap

What makes this work stand out (and a standout!) is its ability to transport us back to a time when Gap was more than just a brand—it was a cultural touchstone.

The familiarity of the A-list-led music video taps into our collective consciousness, evoking fond memories of an era when every celebrity wanted to be in a Gap commercial, and the gifting season didn’t begin until the brand released its annual holiday commercial.

But this work still feels fresh, new and forward leaning. That may be because the brand didn’t settle for nostalgia. Instead, it embraced innovation and creativity to redefine its place in today’s cultural landscape.

In addition to featuring Jungle and Tyla, Gap tapped Charlie Di Placido and J Lloyd, who co-directed the original “Back on 74” clip, and choreographer Shay Latukolan, who created the iconic dance.

As marketers and content creators, we can parse lessons from Gap’s campaign, including the potential for blending nostalgia with innovation and leveraging partnerships with creatives to breathe new life into established brands.

What’s old can be new again—and cool again, too.

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Coach Casts Lil Nas X and Imma in a Virtual Universe https://musebyclios.com/data-creativity/coach-casts-lil-nas-x-and-imma-virtual-universe/?utm_source=rss&utm_medium=rss&utm_campaign=coach-casts-lil-nas-x-and-imma-in-a-virtual-universe https://musebyclios.com/data-creativity/coach-casts-lil-nas-x-and-imma-virtual-universe/#respond Tue, 27 Feb 2024 19:10:00 +0000 https://musebyclios.com/uncategorized/coach-casts-lil-nas-x-and-imma-in-a-virtual-universe/ Lil Nas X is as real as it gets. Imma, not so much. The music star and virtual influencer dive through the looking-glass with other human celebs for Coach’s spring collection campaign set in a colorful CGI universe. This approach embraces an increasingly blurred line between physical and digital worlds. Notably, it gives Imma—a pixelated […]

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Lil Nas X is as real as it gets. Imma, not so much.

The music star and virtual influencer dive through the looking-glass with other human celebs for Coach’s spring collection campaign set in a colorful CGI universe.

This approach embraces an increasingly blurred line between physical and digital worlds. Notably, it gives Imma—a pixelated marketing powerhouse—equal billing with living, breathing endorsers. In the cyber realm, among young adults, she’s a bankable draw.

Video Reference
Coach | Find Your Courage, Chapter 1

Agency Marcel, director Vallée Duhamel and photographer/art director Charlie Engman led creative development. The work also features Camila Mendes, Youngji Lee, Kōki and Wu Jinyan.

Imma meets each, beginning with Lil Nas, in separate spots, and tries to learn their “superpowers.” The X man teaches her to rewrite rules and play by her own game.

“Envisioning Spring, I was inspired to explore the archetypes of American style and the codes that define Coach’s legacy through the point-of-view of today’s generation,” says Coach creative director Stuart Vevers. “‘Find Your Courage’ expresses the feeling I wanted for the collection, where our heritage is the foundation for exciting new possibilities for self-expression.”

Does exploring notions of courage feel a tad haughty for a maker of snazzy bags and purses? For some, perhaps. Then again, we are what we wear—and how we choose to accessorize says a lot.

It’s a lively fusion of realities, a brand-boosting meeting of worlds that feels natural here in 2024 and should only accelerate in the short term.

Thankfully, living talent still fuels and adds dimension to such initiatives. For now.

“Lil Nas was amazing while interacting with a virtual character,” Marcel global creative director Remy Aboukrat tells Muse. “Maybe because he is embracing his different personalities—the one he is in real life and the one he is online. This is also the meaning of this piece: showing our audience that it’s ok to be both until you’re true to yourself.”

As for Imma, she represents “the perfect ambassador to tell this story because she is challenging the notion of what we consider ‘real’ today,” says Coach Global CMO and N.A. president Sandeep Seth. “Her journey in our campaign takes us into a new world that pushes the boundaries of self-expression and inspires us along the way.”

More spots will roll out through May.

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Uncommon Unleashes 'Ratboot'—a Love Letter (of Sorts) to NYC https://musebyclios.com/fashion-beauty/uncommon-unleashes-ratboot-love-letter-sorts-nyc/?utm_source=rss&utm_medium=rss&utm_campaign=uncommon-unleashes-ratboot-a-love-letter-of-sorts-to-nyc https://musebyclios.com/fashion-beauty/uncommon-unleashes-ratboot-love-letter-sorts-nyc/#respond Thu, 15 Feb 2024 15:30:00 +0000 https://musebyclios.com/uncategorized/uncommon-unleashes-ratboot-a-love-letter-of-sorts-to-nyc/ If you can’t take the smell of hot garbage, being smushed like a sardine on the subway or constant rat sightings, NYC might not be for you. Uncommon created the Ratboot for New York Fashion Week. Model and self-proclaimed rodent lover Jenny Assaf wore this custom pair of boots last weekend in the front row […]

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If you can’t take the smell of hot garbage, being smushed like a sardine on the subway or constant rat sightings, NYC might not be for you.

Uncommon created the Ratboot for New York Fashion Week. Model and self-proclaimed rodent lover Jenny Assaf wore this custom pair of boots last weekend in the front row of The Blonds show.

“As Uncommon opens our studio in Manhattan, we wanted to play a part in one of its biggest moments: Fashion Week,” the agency says on social. “There are 3 million rats and 8 million humans in N.Y.: if New York was a shoe it is these.”

The video below shows real rats navigating the boots, but the real pair contained stuffed rats.

Video Reference
Ratboot

The only thing missing is a piece of pizza, amirite?

Click images to enlarge:

Ratboot has achieved online fame in the past 48 hours, amassing more than 105 million views. The boots will be up for auction in a few weeks, with proceeds benefitting Mainly Rats Rescue, a nonprofit that finds homes for rehabilitated rats.

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